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Edgar Degas

Edgar Degas, (19 July 1834 - 27 September 1917) was a French artist famous for his work in oil painting, sculpture, and drawing. His early study of classical art prefaced a body of mature works which convincingly placed the human figure in contemporary environments. He is regarded as one of the founders of impressionism.

Degas was born in Paris, France to Celestine Musson de Gas, and Augustin de Gas, a banker. The de Gas family was moderately wealthy. At age 11, Degas began his schooling, and started down the road of art with enrollment in the Lycee Louis Grand. Degas began to paint seriously early in life; by eighteen he had turned a room in his home into an artist's studio, but he was expected to go to law school, as were most aristocratic young men. Degas, however, had other plans and left his formal education at age 20. He then studied drawing with Louis Lamothe, under whose guidance he flourished, following the style of Jean Auguste Dominique Ingres. In 1855 Degas met Ingres and was advised by him to "draw lines, young man, many lines." In that same year, Degas received admission to the Ecole des Beaux-Arts. The next year, Degas traveled to Italy, where he saw the paintings of Michelangelo, Raphael, and other artists of the Renaissance.

After returning from Italy, Degas copied paintings at the Louvre. In 1865 some of his works were accepted in the Salon. During the next five years, Degas had additional works accepted in the Salon, and gradually gained respect in the world of conventional art.[3] In 1870, at the outbreak of the Franco-Prussian War, Degas enlisted in the National Guard, where his defense of Paris left him little time for painting. During rifle training his eyesight was found to be defective, and for the rest of his life his eye problems were a constant worry to him.

Following the war, Degas visited his brother, René, in New Orleans and produced a number of works, many of family members, before returning to Paris in 1873. The following year, Degas helped to organize the first Impressionist Exhibition. The Impressionists subsequently held seven additional shows, the last in 1886, and Degas showed his work in all but one. At around the same time, Degas also became an amateur photographer, both for pleasure, and in order to accurately capture action for oil painting.

At the death of his father in 1874, the subsequent settling of the estate revealed that René had amassed enormous business debts. To preserve the family name, Degas was forced to sell his house and a collection of art he had inherited. He now found himself suddenly dependent on sales of his artwork for income. After several years his financial situation improved, and sales of his own work permitted him to indulge his passion for collecting works by artists he admired?old masters like El Greco, moderns such as Delacroix, and his contemporaries Paul Cézanne, Paul Gauguin and Vincent Van Gogh. Ingres and Manet were especially well represented.

As the years passed, Degas became isolated, due, in part, to his belief "that a painter could have no personal life."[8] The Dreyfus Affair controversy brought his antisemitic leanings to the fore, and he broke with all his Jewish friends. While he is known to have been working in pastel as late as the end of 1907, and is believed to have continued making sculpture as late as 1910, he apparently ceased working in 1912, when the impending demolition of his longtime residence on the rue Victor Massé forced a wrenching move to quarters on the boulevard de Clichy. He never married and spent the last years of his life, nearly blind, "aimlessly wandering the streets of Paris" before dying in 1917.

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